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    I'd always wanted a theremin, 
    loved them since I was a kid, but a quality one, Moog say, they are kind of 
    expensive to buy on a whim. Then in 2024, Stylophone came up with their own 
    version, so you can probably guess what my Christmas present to myself was. 
    It was a great chance to explore the possibilities of the instrument without 
    spending the kind of money that would have drawn accusing looks from Mrs. 
    Magic. However, with all that had been going on, it didn't come out of the 
    box very much for the first few months I owned it. Then, middle of May, mum 
    still in hospital and Sam and Twizz having a brief sojourn in The Lakes, I 
    decided to take advantage of having the house to myself and see what it 
    could do. By this point, I knew I needed some interesting link pieces for 
    the narrative on the album (should it ever get finished!), and maybe even 
    the radioshow, which I was hoping to get back on air again shortly. But I 
    didn't stop with link pieces, it was too much fun, the ultimate result being 
    the following three tracks;  
      
    
    
      
      
    
       1. The 
    Reminiscence Of Creation In Particulate (4:33) 
    
    from "Audio Report V" 
    (Institute For Alien Research, 15th September 2025) 
    
    
    
    https://ifarmusiqueconcretecompilation.bandcamp.com/album/audio-report-v 
      
    
       2. It Is There 
    Minds Go When You Think They Are Broken (5:48) 
    
    This track features on the 
    finished album, see next page 
    
    
      
      
    
       3. Another Eminent 
    Species (7:21) 
    
    Currently unreleased, but I've 
    just sent it off to Deborah Fialkiewicz and  
    
    Øystein Q. Jørgensen for their 
    'One World' project on Petroglyph, so watch this space... 
      
    
    Who spotted the word 'theremin' 
    hidden in the title of each piece? Okay, no prizes, it wasn't rocket 
    science, me and Skit just like doing stuff like that. But I digress, which 
    is most unlike me, back to the story. Come June, the radioshow was back on 
    the air again after a three month silence amidst all the stress and chaos, 
    and we were starting to feel the end of this drawn out project was finally 
    in sight. The opening theme had already been released on a compilation back 
    in March, so I decided to include it on the show as a preview, hoping it 
    would create the sense of commitment we needed to get it all over the line. 
    On the July show, 'Intermission', I included an even bigger preview, playing 
    a lengthy radio edit of the Melophobia contribution, 'Michael & Marilyn', as 
    well as the 'headphone mix' of 'The Rib Sacrificed (Opus 80)'. Sadly, the 
    latter was too much for Dave, technical manager at KOWS; as the track 
    started, at 5:48 from the end of the show, he pulled the plug thinking 
    something had gone wrong with the audio file! Honestly, I still don't know 
    whether I feel insulted or flattered. Skit's well proud, why am I not 
    surprised? Well, like they say, no publicity is bad publicity. Cheers, Dave, 
    we owe you one. I think. 
     
    
    August Bank Holiday Week: And 
    If The End Should Come... 
    
    Come the beginning of August, 
    mum had been placed in full time residential care, luckily just a five 
    minute walk from home. Peace came over Asgard, you could positively hear the 
    stress hissing away out of the gaps in the windows. With Sam and Twizz 
    having their annual girly escape booked for the last week of the month, me 
    and Skit plotted our chance to finally complete the project. We just had to 
    decide on a final mix for 'The Rib Sacrificed (Opus 80)' and make it happen, 
    and four tracks of five would be sorted. Well, okay, we did do one extra 
    special version for RDKPL, the 'Radekal Mix', coz Radek is the guy's name, 
    it's not that we can't spell, promise...  
      
    
    
      
      
    
       The Rib Sacrificed 
    (Radekal Mix) (5:21) 
    
              
    from "Harsh Noise Komp7" (RDKPL, 5th September 2025) 
    
    
    
    https://rdkpl.bandcamp.com/album/harsh-noise-komp7 
      
    
    Then on to 'Original Man' and 
    the infamous didgeridon't files. We had the vision; basically, a 
    gathering of early humans sitting around a fire at night, chanting to their 
    gods. Aboriginal drumming seemed the best thing to go behind the didgeridoo, 
    then the fire track, and finally the vocal samples. Admittedly, early humans 
    didn't have chorus pedals, but it kind of worked. Et voila! Then there was 
    just one thing left to do...  | 
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