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I'd always wanted a theremin,
loved them since I was a kid, but a quality one, Moog say, they are kind of
expensive to buy on a whim. Then in 2024, Stylophone came up with their own
version, so you can probably guess what my Christmas present to myself was.
It was a great chance to explore the possibilities of the instrument without
spending the kind of money that would have drawn accusing looks from Mrs.
Magic. However, with all that had been going on, it didn't come out of the
box very much for the first few months I owned it. Then, middle of May, mum
still in hospital and Sam and Twizz having a brief sojourn in The Lakes, I
decided to take advantage of having the house to myself and see what it
could do. By this point, I knew I needed some interesting link pieces for
the narrative on the album (should it ever get finished!), and maybe even
the radioshow, which I was hoping to get back on air again shortly. But I
didn't stop with link pieces, it was too much fun, the ultimate result being
the following three tracks;

1. The
Reminiscence Of Creation In Particulate (4:33)
from "Audio Report V"
(Institute For Alien Research, 15th September 2025)
https://ifarmusiqueconcretecompilation.bandcamp.com/album/audio-report-v
2. It Is There
Minds Go When You Think They Are Broken (5:48)
This track features on the
finished album, see next page

3. Another Eminent
Species (7:21)
Currently unreleased, but I've
just sent it off to Deborah Fialkiewicz and
Øystein Q. Jørgensen for their
'One World' project on Petroglyph, so watch this space...
Who spotted the word 'theremin'
hidden in the title of each piece? Okay, no prizes, it wasn't rocket
science, me and Skit just like doing stuff like that. But I digress, which
is most unlike me, back to the story. Come June, the radioshow was back on
the air again after a three month silence amidst all the stress and chaos,
and we were starting to feel the end of this drawn out project was finally
in sight. The opening theme had already been released on a compilation back
in March, so I decided to include it on the show as a preview, hoping it
would create the sense of commitment we needed to get it all over the line.
On the July show, 'Intermission', I included an even bigger preview, playing
a lengthy radio edit of the Melophobia contribution, 'Michael & Marilyn', as
well as the 'headphone mix' of 'The Rib Sacrificed (Opus 80)'. Sadly, the
latter was too much for Dave, technical manager at KOWS; as the track
started, at 5:48 from the end of the show, he pulled the plug thinking
something had gone wrong with the audio file! Honestly, I still don't know
whether I feel insulted or flattered. Skit's well proud, why am I not
surprised? Well, like they say, no publicity is bad publicity. Cheers, Dave,
we owe you one. I think.
August Bank Holiday Week: And
If The End Should Come...
Come the beginning of August,
mum had been placed in full time residential care, luckily just a five
minute walk from home. Peace came over Asgard, you could positively hear the
stress hissing away out of the gaps in the windows. With Sam and Twizz
having their annual girly escape booked for the last week of the month, me
and Skit plotted our chance to finally complete the project. We just had to
decide on a final mix for 'The Rib Sacrificed (Opus 80)' and make it happen,
and four tracks of five would be sorted. Well, okay, we did do one extra
special version for RDKPL, the 'Radekal Mix', coz Radek is the guy's name,
it's not that we can't spell, promise...

The Rib Sacrificed
(Radekal Mix) (5:21)
from "Harsh Noise Komp7" (RDKPL, 5th September 2025)
https://rdkpl.bandcamp.com/album/harsh-noise-komp7
Then on to 'Original Man' and
the infamous didgeridon't files. We had the vision; basically, a
gathering of early humans sitting around a fire at night, chanting to their
gods. Aboriginal drumming seemed the best thing to go behind the didgeridoo,
then the fire track, and finally the vocal samples. Admittedly, early humans
didn't have chorus pedals, but it kind of worked. Et voila! Then there was
just one thing left to do... |
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