|
BLATANT PROPAGANDA
This zine was run by
that madcap Australian political activist whose name completely escapes
me. No, it's not an age thing this time, promise. I have a note of his
real name here, but I'm pretty sure he didn't like its use, so I'll be
nice and not use it. I just can't remember how he did like to be referred
to. Anyway, musically you will know him for Eye, a contributor to the UWU
compilation CD, and Aya, the 'sister' project. When not scaling the roof
of the Canberra parliament building, he wrote nice things about our
output, like this...
--------------------------------------------------
Magic
Moments at Twilight Time ::: "Creavolution"
space-rock-indie-psychedelia
A spacey mix
that reminds of Hawkwind, late-70s Kraftwerk, Stereolab, Blondie, and
Anubian Lights. That's how I'd describe this album. While this album has a
great amount of diversity - from driving space-rock through to
flamenco-acid-ballads with warm analogue synth burblings and the talents
of 6 vocalists (3 female 3 male) - it is held firmly together through its
concepts and musical themes.
The opening
track "The Starship Psychotron" took several listens for me to appreciate
- possibly because of its fun fantasy nature! I like the way this track
breathes - lots of music breaks between the dreamy female vocal refrains
of Leonie Jackson. It's characterised by lots of Jean Michel Jarrish
analogue synth arpeggios, spine tingle sounds and a doof techno beat on an
old clankety drum machine. "Lights turn blue" begins with an alien voice
anti-nuke narration which leads into a more serious rock track with the
British rock voice of Inga Leru. "Kronophobia" begins with a marching
snare beat that moves into a grooving Hawkwindish track featuring the
vocals of MMATT's musical mastermind, Mick Magic. He must have been
wearing the darkest set of sunglasses for this track - i.e very "cool".
In the
middle of the album are the tracks which really do it for me! "Purple eyed
& mystified" is an excellent trippy pop track with very dreamy vocals by
Leonie. I dug this so much that EYE started doing a remix of it!!
(hopefully it'll be finished one day soon). "Demonic Attack" is another
slightly harder sounding rocking piece - due largely to Inga's vocals -
with Brian John Doran's baritone voice. I think a kick-ass rock drummer
would work better on this piece than the drum machine though! "Spirit
Electric" is another personal highlight for me. With its Spanish
flamenco-ish acoustic guitar and rhythms it reminds me of projects like
Anubian Lights. "The night fantasia" is a real epic with its fantasy
analogue synth-burblings and dreamy vocals - a track that sends shivers up
my spine, grabs you and takes you flying through inner and outer space.
Leonie Jackson really has a terrific voice; the harmonies work
tremendously well. "Love let thy name be darkness" features more superb
female vocal harmonies - another great light and trippy goth-pop track.
"The Torch" is a chug-a-long piece that showcases the baritone vocals of
Brian John Doran who reminds me of Laibach (a big compliment from me!) at
their most gallant and operatic moments - but with more of a
tongue-in-cheek fun attitude! The album closes with "Rock and Roll
Lifestyle"; a mega-mega-cheesey upstage of the cheesiest rock and roll
band you've ever heard! Overall, this album has a late 1970s, early 1980s
feel to it - mainly due to the drum machine programming sounds and the
analogue synth burblings. For myself and others who dig the early 80s new
romantic synth-pop space sound that's fine. However, I think that may hold
this venture from achieving the potential contemporary success it
deserves.
This is an
album that I wouldn't have been able to get into in years past - when I
was predominantly into heavy political music. However, for now, this is an
album that I would love to have been involved in making. Why? Because: a)
it sounds like it was lots of fun b) the tracks are great pop and
space-rock compositions and c) I'm inspired with things that I'd like to
add - mainly this would be in the area of drum programming - I'd groove
them up and make them a bit jungly-trip-hoppish with some broader sound
sources and textures. Though that may have been something MMATT were
deliberately avoiding. These tracks really deserve wider recognition and
exposure. I look forward to hearing what they'll do with a bigger budget
and studio.
Available
for 7.99 British Pounds from: Music & Elsewhere/ United World Underground
- 6 Farm Court Frimley Surrey GU16 5TJ U.K. (0216-684209)
--------------------------------------------------
And he did radio shows too. When he played any of
our stuff, we'd get a nice little e-mail from him like this...
"Hello, either
a track of yours or from a release of your label was played on today's
show. |
show = "Friday
Sunset" 4-6p.m. 2XX 98.3FM, Canberra Australia July 26 2002
lord litter -
love freak
Artemiy
Artemiev - 5 mystery tales of Asia Part 1 (5 minute excerpt)
Ras Al Ghul - qual
Artemiy
Artemiev - 5 mystery tales of Asia Part 2 (5 minute excerpt)
Love in a
Plague - freak
*** I don't
usually host this show. I've been filling in for a few
"sunsets" of
late though. A good thing about doing this show is that
I can play
some international music that doesn't fit within the scope
of my other 3
radio shows. Please see
http://www.blatantpropaganda.com
for more information on these.
With a bit of
luck I may end up with a regular weekday slot from
4-6p.m. -
meaning I can play lots of the diverse non-Australian stuff
I receive
which doesn't fit into the genre-specifications of my other
shows."
--------------------------------------------------
Of course, he played more than five tracks, but I only left in M&E
artists. Bias accepted. Whether he's still playing stuff on radio shows
and doing a zine and making political hardcore teknoid music is another
matter. However, two e-mail addresses in my contact folder means we have
reasonable odds of finding out...
(UPDATE)
The work of the impressive networker, Kim Harten, Bliss being her tape
label and Aquamarine being her zine. Always very supportive to M&E, the
following brief reviews coming from issue 6 in 2000...
--------------------------------------------------
VARIOUS
United World Underground CD (Music & Elsewhere)
M&E has been releasing tapes since the 80s and has become the world's
biggest tape label. They're still releasing tapes but have also branched
out into CDs and this is their second. This comp includes various rock sub
genres, e.g. spacerock, 70s style rock, psychedelic rock, country rock,
experimental prog rock, and also ventures into the realms of
underground/experimental electronica of various types, and rather more odd
stuff such as the Idiom track which is a synthesised, experimental,
psych-tinged version of traditional Scottish music, and the Neo track
which mixes dancey synthpop with OTT operatic vocals singing
sadomasochistic lyrics. Steve Andrews appears here with a brand new
version of Real Love And Communication which is totally different
to the original reggae version - this is more like psych-rock crossed with
dance. This comp also includes Into The Abyss, Dark Star (this is the
German band of this name), Eye, Earth, Grass Harp, Ras.Al.Ghul, Blacklight
Braille, Lord Litter, The Stinking Badger of Java, TMR, Cosmic Dance
Society and Love In A Plague.
SHAY
Dreamers & Stalkers (M&E 583)
Shay are singer/songwriter/multi-instrumentalist Finn Millar, bassist Vic
Warrington and ex-Punishment of Luxury drummer Stephen Robson. Their music
is a sophisticated kind of pop that sometimes has folkish hints and often
has an ethereal quality. I got a tape from Shay a while ago which featured
the excellent songs I Built My House Where You Could See and
Closer To The Sun, and it's good to see they've included those tracks
here.
--------------------------------------------------
An e-mail is on its way to the two e-mail addresses I have on file, her
answer will appear right hereishly...
(UPDATE) |
|