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The name of M. Nomized is
extremely well known and highly respected in the electro-experimental world,
so Skit and I were very happy bunnies to have our offering accepted for this
compilation. Aside from being a prolific musician and composer himself,
Michel (his secret identity, sshhh!) engages in all sorts of other projects,
including the Andreas series, which has been running for many years
now. The brief for Volume 24 was straightforward; virus. If there's one
thing that was utterly dominating life on Earth at this point in time, it
was Covid-19. Historically, periods of great global crisis have also been
periods of great creativity. Some absolute classics have been produced
during these spells, along with the odd major scientific breakthrough;
Shakespeare wrote King Lear during the 1606 plague in London; Sir
Isaac Newton's realisation of gravity came 60 years later when plague
returned; Mary Shelley wrote Frankenstein during the long year of
darkness in 1816, following a major volcanic eruption at Mount Tambora in
Indonesia. Times like these make you think, obviously. Create and survive.
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At
the time Skit and I sat down to create this piece, we were still four days
shy of the first lockdown in England, little was known about the virus and
fear reigned supreme. We wanted to reproduce that sense of anxiety in sound,
and there was one such sound I was familiar with that is guaranteed to chill
you to the bone; the Aztec death whistle (pictured right). Although the
exact use of this ancient resonator is not known with any degree of
certainty, one of the most compelling and believable theories is that Aztec
warriors would blow them en masse as they went into battle. Heard once, you
can imagine how hundreds of them would indeed be an intimidating sonic
weapon.
o
We found some samples of its
blood-curdling sound on the web and set about cutting and pitching them as
we had envisaged. First, short intermittent screeches, and while the fear of
the spreading virus intensifies, so do the frequencies of the soundbursts
until it becomes pandemic. Then we added a bass drum sample with reverb and
soft echo to imitate a heartbeat, the screeching sound of death bouncing
from ear to ear (*track not recommended for playlisting at weddings, parties
or bar mitzvahs), until ultimately, the heartbeat slows and comes to a halt,
the piece concluding with a flatline tone. All it needed then was an
appropriate title; the word 'baneful' seemed perfect, matching the
historical images conjured up by great plagues, an archaic term that hasn't
been common usage for centuries. And a circle of light? Well, nothing
clever there, that's simply what a corona is. The track was conceived,
recorded and released on the same day, and whilst we wouldn't put it in the
same league with Shakespeare and Shelley, we hope it will send shivers to
the very core of your immortal soul. Enjoy muchly...
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