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Our first release of 2021 and
it turns out it was recorded in 2019! Such is the nature of time, past and
present merge into one to journey endlessly into the future. Quite prolific
for a Wednesday afternoon, innit? I think it's the coffee. The brief from
{AN} Eel was plain and straightforward on this one;
T H E
P H O T O G R A P H S
o
Past;
Always simple to find pictures of yourself from the past and present! So
why am I looking for a cupboard to hide in? Yeah, vintage school photo,
excruciatingly embarassing, I think circa 1965-66, so I'd have been 7 or 8,
and Sam would have been... well... not born for a few more years yet! As a
kid, I used to go to Grove School in Frimley, which was still there and
thriving last time we were allowed to visit Surrey and the south east in the
summer of 2019.
o
Future;
But where do you get a
picture of yourself in the future? Easy! From the Flashbax Omicron 13 event
that marked the CD release of Creavolution Reborn on TMR Records in
September 2018. The Doc and Mick Tron popped forward a decade in the
Escortron to visit me on my 70th birthday in 2028. How's that for a stroke
of luck?
o
LINK: Flashbax Omicron 13
http://www.mickmagic.net/2018%20MMR%20Zone%2049.htm |
"As we all know," he began,
"2020 has been an unusual year. Let's pause as one does at the end of this
year and reflect on both where we've been and where we're going in the
future. It seems to me amazing, but I think that the simple idea of
envisioning a future is at the moment something of a radical act. So reach
into that, and bring forth what you will of this theme."
Skit and I look at eachother and nodded knowingly. We'd already done "2020
Vision" as a reflection on the year that was, but pulling past and future
into the equation, that could be interesting. We bounced several ideas
around throughout the consumption of a coffee and a packet of bourbon creams
(*other biscuits are available, yeah, right), but nothing quite stuck.
"Scream Free Triptych!" Shouts
Skit.
"What the fuck?" Responded I.
Not because I was shocked at the suggestion, rather because he was right
next to me when he shouted and I nearly fell off my chair.
"How do you see past, present
and future here?" He asked.
"Same-o same-o." I shrugged, "Past, present, future; all much the same,
lessons unlearnt. By the time Covid-19 is just something we look nervously
back over our shoulders at, we will find ourselves with a unique opportunity
to re-imagine the world. With most of the planet's nations skimming the
edges of post-pandemic bankruptcy, they will arrive at a key moment in which
they could change the global economic system for something better, something
more pragmatic and robust, something less self-serving to the wealthy and
powerful, something that would better recognise the importance of the low
paid essential workforce we have all come to rely on these difficult months.
But it's an opportunity I don't think we will take, there will be too many
who are not willing to surrender their vested interests for the good of the
many. Oxfam will continue pointing out that the richest 26 people on the
planet have as much of its wealth as the poorest 3,900,000,000. And the most
powerful governments of the world will continue putting their fingers in
their ears and going la la la."
"Right," Skit nodded, "but you
had me at same-o same-o."
His point was immediately
obvious to me. Well, to be honest, it's almost like we know what eachother
is thinking at times. The track was a leftover from the Digitalis sessions,
one that just didn't seem to fit in with the main body of work, but it was
almost perfect for this in every way. A genuine aural triptych, each of the
three sections (past, present and future) equally bleak and devoid of hope,
nothing much ever changes. A little remixing and editing, re-branding as
"Time Triptych", et voila!
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