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In the summer of 1987, with two
gigs and a live tape under our belts, the original foursome that constituted
Magic Moments At Twilight Time looked anxiously forward to starting work on
our first 'proper' album. At that point, if you don't count taping
rehearsals, the four of us hadn't made one solitary recording together,
hence the anxiety, thus were invented the At Twilight Time sessions. We had
been toying with the rather novel idea of working in two units for a while,
the plan was to become a self-supporting 21st Century Schizoid Band;
doing an experimental set under the banner of At Twilight Time, followed by
a main set as Magic Moments, which we would try out with some success at The
Grain Festival later in the year. In the meantime, it would give us the
opportunity to learn more about the recording process in general, to make
sure our debut Magic Moments Album would be the best we could make it
with the resources available. We couldn't afford studio hours in those days,
I don't think I even had a job at the time, but we had developed a
surprisingly effective system with a NICAM (Near Instantaneous Companded
Audio Multiplex) 4 track VHS machine (ask your dad). The At Twilight
Sessions would be a great opportunity to test this system to its limits,
learn its capabilities, work in any combination of band members, and / or
invite other local musicians and see what we could learn from them as well.
The
cover photo; let's just say the years haven't been the kindest to Albert...
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The first of these sessions,
however, was one I did alone, a particularly sinister piece called Freak.
I had this vision of an outsider being chased down through a swamp, pursued
by a ruthless agent of a dystopian legal system, simply for being different.
Strangely, I visualised myself in both roles simultaneously, it all rather
got inside my head, I seriously connected with it. From the persistent
shouts of "Die!" from the pursuer, to the eventual "Dance, Freak" when he
ultimately has his quarry cornered, I threw the works into this track;
vacuum cleaners (well, you have to, don't you?), over-driven pre-amped
synths and masses of echo. It was quite a powerful thing to listen to
through headphones, I've always loved the track and long wanted to do
something with it. Finally, the Magic Bullet's broad spectrum experimental
philosophy presented me with that opportunity, Skit's always up for anything
involving vacuum cleaners and distortion. I went back to the metal cassette
master of Experimental Twilight (MMATT 25) for the best copy I had of
the original, a bit hissy, but sounded pretty reasonable for a 30 odd year
old home recording. We carefully selected and cut our samples, then
proceeded to put take two together. From the initial groanings of the
wounded prey, we added some new electronics, whilst being sure to keep the
creepiness (try it through headphones, very loud, and in the dark)! The
rhythm of the old version was achieved with an echoed Casio Sk1 (honestly!),
so we supplemented that with a heavy bass drum and hi hat. Must say, we were
both quite pleased with the outcome. I don't see it being covered by Jedward
any time soon, but it's great to see it out there again and getting into
peoples' ears where it belongs. Enjoy muchly, and hey...
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