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Mick Magic preparing for a session on Tracktion 5, photo by Skit Zoyd
It started on the morning
of Thursday 6th February 2020, Skit and I were experimenting with some newly
discovered sound processing techniques over a coffee and a bourbon biscuit
or two. Of course, there were occasional breaks for the obligatory checks of
social media, and on one such foray, we saw
a re-posting from an Alexey
Kondart on Facebook, asking for material for a '400 Way Split', a 400 track
compilation album! Ambitious, we thought. Duly intrigued, we visited his
profile to find out more, where we found another post asking for tracks for
a different compilation; 'duration not less than 1 hour'. Now that seemed an
interesting challenge; both of us had been recording for over thirty years
and had never gone far past 35 minutes. Further intrigued, we Googled
Alexey's label, Broken Tape Records, and found their Bandcamp. Wow. Endless
hours and hours of all nature of experimental sounds which we explored with
vigour, at least until lunch time. We loved what we found there, it was like
a special heaven for experimentalist aficionados, and every album, even the
huge mega-compilations, was absolutely free. Putting
all
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that together would have been a
monumental task, and all of that without collecting a penny for it, as
intensive a 'labour of love' as we had ever seen in our underground years.
How could we ignore the call to arms?
One cheese toasty later, the
two of us were sat down planning our magnum opus. From Dr. Magic's Audio
Lab, we chose a number of sounds from the natural world, amongst them being
thunder storms, wind, rain and the oceans; plus some not so natural ones,
such as a car phone, internal combustion engine and motorbike. These would
be the building blocks for our work, though possibly not in any recognisable
form by the time we had finished playing with them. For the introduction, we
decided a nod to the label being Russian would be appropriate, so took
advantage of one of the many online voice generators to have a female voice
saying repeatedly, "My name is..." ( in Russian, of course), accompanied by
strange noises, as is our way. From there, we proceeded to create our sonic
journey, one step at a time, taking full advantage of the available
stereoscape and everything our bag of tricks had to offer. Must admit,
several hours later, when we eventually sat down to listen to the finished
work, we were quietly impressed with the result of our efforts. I think we'd
both been concerned that it would be hard to keep such a long piece
interesting, but never once did we tire of it. However, it was a bit long to
stick on our Reverbnation to get a bit of feedback! So, over the next couple
of days, I put together an 8½ minute special edit for exactly that purpose.
I uploaded it on the Saturday, it was rather well received, so an e-mail was
on its way to Alexey Kondart Sunday morning. He liked it, especially the
title, which roughly translates as "lengthy audio work with a pretentious
title in Russian", which it was originally released under by mistake, before
ultimately
becoming
"Solidarietas", which we were more than happy to see become our
official debut album.
SOLIDARIETAS
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