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And yet another new friend for
the Magic Bullet in the shape of the inimitable {AN} Eel, based in Toronto
in Canada. Brrr. Mr. Eel, Neal to his mates, describes himself as 'an
experimental vocalist' who 'makes odd things' on his Bandcamp, which sounded
like our kind of person. Can't say we were sure what his label was called
though, because said Bandcamp was in his own name, whilst the URL would have
you believe it was called Panpanpan Avian Distress Call Records, which it
clearly wasn't. So we asked him. He tells us Charlie Dog Records will do,
apropos of nothing we're aware of or could see on the page. Yet another of
life's enduring mysteries, I'm sure. So, Two Halves: The Concept - you let
him know you're interested, you'll be randomly assigned a collaborator, no
theme, do whatever the two of you want to. Skit and I were keen to throw our
hat into the ring. Just one, we share it. Who would we get? Would it
actually be someone we'd heard of? We'd never be lucky enough to get a
serious legend in the world of electro-experimental music, would we?
BINGO! M. Nomized! What would that be like? Underground royalty, would
we have to address him as 'sir', should we bow? Yeah, we sort of knew who he
was, we could live with that.
M. Nomized - should you ever pass him on the street, you'll never know...
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So how to proceed? Well,
sending him a message is a good start;
"Hi... I hear you've been stuck
with me and Skit for the duets, unlucky! (winky emoji)", I began with a
little self-deprecating humour, break the ice, as it were, "Ah, this should
be good, admired your stuff for very many years. So, how does this all work?
We've never done a distant collaboration with anyone. Well, the last time
either of us were recording regularly (mid 90's), the internet was all but
unheard of. We've only been recording again for 6 months after a 25 year
sabbatical (except a one-off TEAC 4-track session 4 years ago), but are
really enjoying creating again. I know you are very experienced in
collaborative projects, so it seems sensible you should take the lead - how
would you like us to proceed?"
"If you want, I send a
basetrack and you play with." He replied, "After, you send the
result."
Sorted. What arrived (a little
under five hours later!) was a 10 minute recording of the most wondrous
electronic doodlings. Skit and I looked at each other and nodded. To be
honest, we wouldn't have even known how to create sounds like that, but we
certainly had some ideas on what to do with them. Leaving it as was for the
first 50 seconds or so to establish the piece, we started by fleshing out
the next few minutes. This was done by a process of duplicating it twice,
pitch-shifting one by a minor third and the other by a perfect fifth, then
re-mixing them both together with the original, effectively creating a
virtual minor chord of the various doodlings. Quite effective, innit? For a
lift in the middle, we thought we'd bring in a kind of 70's cyber disco
beat, the 'musical notes' all being created from samples drawn from Michel's
original soundfile. The crashing plane effect was inspired by the artwork
(it does kind of look like a guy on a parachute, don't you think?), which I
put together from a couple of pieces Mr. Nomized sent me and an image of the
Earth, hence the title, which roughly translates as "from the sky / heavens
to the ground." Et voila!
LINK:
M. Nomized -
https://fractionstudio.bandcamp.com
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